Alan Ladd
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Alan Ladd | |
---|---|
Ladd in 1953 | |
Born | Alan Walbridge Ladd (1913-09-03)September 3, 1913 Hot Springs, Arkansas, U.S. |
Died | January 29, 1964(1964-01-29) (aged 50) Palm Springs, California, U.S. |
Cause of death |
Cerebral edema caused by accidental overdose of drugs and alcohol[1] |
Resting place |
Forest Lawn Memorial Park, Glendale |
Education | North Hollywood High School |
Occupation | Actor, film and television producer |
Years active | 1932–64 |
Spouse(s) | Marjorie Jane Harrold (m. 1936; div. 1941) Sue Carol (m. 1942–64) |
Children | Alan Ladd, Jr. (b. 1937) Alana Ladd (b. 1943) David Ladd (b. 1947) |
Relatives | Jordan Ladd (granddaughter) |
Website | |
www.cmgww.com/stars/ladd/ |
Alan Walbridge Ladd (September 3, 1913 – January 29, 1964) was an American actor and film and television producer. Ladd found success in film the 1940s and early 1950s, particularly in Westerns and film noirs where he was often paired with Veronica Lake. His popularity diminished in the late 1950s, though he continued to appear in popular films until his death from cerebral edema in January 1964.[2]
Contents
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Early life
Ladd was born in Hot Springs, Arkansas. He was the only child of Ina Raleigh Ladd and Alan Ladd, Sr. He was of English ancestry. His father died when he was four, and his mother relocated to Oklahoma City where she married Jim Beavers, a housepainter. The family then moved again to North Hollywood, California where Ladd became a high school swimming and diving champion and participated in high school dramatics at North Hollywood High School, graduating on February 1, 1934. He opened his own hamburger and malt shop, which he called Tiny's Patio. He worked briefly as a studio carpenter (as did his stepfather) and for a short time was part of the Universal Pictures studio school for actors. But Universal decided he was too blond and too short and dropped him.[3]
Career
Intent on acting, he found work in small theatres.[4] He had short term stints at MGM and RKO, and eventually started getting steady work on radio.[5][6]
Ladd was heard on radio by the agent Sue Carol who signed him to her books and enthusiastically promoted her new client, starting with the 1939 film Rulers of the Sea, in which he played a character named "Colin Farrell." Ladd began by appearing in dozens of films in small roles, including Citizen Kane, in which he played a newspaper reporter towards the end of the film. He first gained some wide recognition with a featured role in the wartime thriller Joan of Paris, 1942.[7]
Stardom
For his next role, Sue Carol found a vehicle which made Ladd's career: the 1942 adaptation of Graham Greene's novel This Gun for Hire in which he played "Raven," a hitman with a conscience.[5] once Ladd had acquired an unsmiling hardness, he was transformed from an extra to a phenomenon. Ladd's calm slender ferocity make it clear that he was the first American actor to show the killer as a cold angel." – David Thomson (A Biographical Dictionary of Film, 1975) [8]
Both the film and Ladd's performance played an important role in the development of the "gangster" genre: "That the old fashioned motion picture gangster with his ugly face, gaudy cars, and flashy clothes was replaced by a smoother, better looking, and better dressed bad man was largely the work of Mr. Ladd." – New York Times obituary (January 30, 1964).[8] Ladd was teamed with actress Veronica Lake in this film, and despite the fact that it was Robert Preston who played the romantic lead, the Ladd-Lake pairing captured the public's imagination, and would continue in another three films. (They appeared in a total of seven films together, but three were only guest shots in all-star musical revues.)
Ladd and Lake became a particularly popular pairing because, at 5'1", she was one of the few Hollywood actresses shorter than he.[9] In his memoirs, actor/producer John Houseman wrote of Ladd: "Since he himself was extremely short, he had only one standard by which he judged his fellow players: their height".[10] To compensate for Ladd's height, during the filming of Boy on a Dolphin, co-starring the much taller Sophia Loren, the cinematographer used special low stands to light Ladd and the crew built a ramp system of heavy planks to enable the two actors to stand at equal eye level.[11] In outdoor scenes, trenches were dug for Loren to stand in.[12] For the film Saskatchewan, director Raoul Walsh had a six-inch hole dug for co-star Hugh O'Brian to stand in, while using the excavated dirt to build a mound for Ladd to stand on, thereby overcoming the one-foot disparity in height.[13]
Ladd went on to star in many Paramount Pictures' films,[14] with a brief timeout for military service in the United States Army Air Forces First Motion Picture Unit.[15]
He appeared in Dashiell Hammett's story The Glass Key, his second pairing with Lake, and Lucky Jordan with Helen Walker. His cool, unsmiling persona proved popular with wartime audiences, and he was quickly established as one of the top box office stars of the decade.[16]
In 1946, he starred in a trio of silver screen classics: the big screen adaptation of Richard Henry Dana's maritime classic, Two Years Before the Mast (for which he also received critical acclaim), the Raymond Chandler original mystery The Blue Dahlia (his third pairing with Lake), and the World War II espionage thriller O.S.S..
He formed his own production companies for film and radio and then starred in his own syndicated series Box 13, which ran from 1948–49. Ladd and Robert Preston starred in the 1948 western film, Whispering Smith, which in 1961 would become a short-lived NBC television series, starring Audie Murphy. In the 1949 version of The Great Gatsby, Ladd had the featured role of Jay Gatsby.
Ladd played the title role in the 1953 western Shane. The film was nominated for five Academy Awards, including Best Picture. It was listed at No. 45 on the American Film Institute's 2007 ranking of "100 Years ... 100 Movies."
Ladd made the Top Ten Money Making Stars Poll three times: in 1947, 1953, and 1954.[3] In 1954 exhibitors voted him the most popular star among British filmgoers.[17]
In 1950 the Hollywood Women's Press Club voted him the easiest male star to deal with in Hollywood.[18]
Leaving Paramount
When former agent Albert R. Broccoli formed Warwick Films with his partner Irving Allen, they heard Ladd was unhappy with Paramount and was leaving the studio. With his wife and agent Sue Carol, they negotiated for Ladd to appear in the first three of their films made in England and released through Columbia Pictures: The Red Beret (1953); Hell Below Zero (1954), based on the Hammond Innes book The White South; and The Black Knight also (1954). All three were co-written by Ladd's regular screenwriter Richard Maibaum, the last with additional dialogue by Bryan Forbes.[19][20] In 1954 Ladd formed a new production company, Jaguar Productions, originally releasing his films through Warner Bros. and then with All the Young Men through Columbia.
Ladd's pictures became less distinguished as the decade went on. He turned down the chance to play the role of Jett Rink in Giant (1956) which was subsequently played by James Dean and became one of the biggest hits of the decade.
In November 1962, he was found lying unconscious in a pool of blood with a bullet wound near his heart, in what might have been an unsuccessful suicide attempt.[3][21] In 1963 Ladd's career looked set to make a comeback when he filmed a supporting role in The Carpetbaggers, which became one of the most popular films of 1964. He would not live to see its release.
Height
Few biographical sources refrain from speculation on Ladd's height, which legend contends was slight. Reports of his height vary from 5 ft 5 in to 5 ft 9 in (1.65 m – 1.75 m), with 5 ft 6 in (1.68 m) being the most generally accepted today. His U.S. Army enlistment record, however, indicates a height of 5 ft 7 in.[3][22][23]
Personal life
Ladd married a high school sweetheart, Marjorie Jane "Midge" Harrold in October 1936.[24][25] Their only child, a son named Alan Ladd, Jr., was born on October 22, 1937.[26] They divorced in July 1941.[27]
On March 15, 1942, Ladd married his agent and manager, former film actress Sue Carol, with whom he had two children, Alana (born 1947) and David Alan.[28] Alan Ladd, Jr., is a film executive and producer and founder of The Ladd Company. Actress Alana Ladd, who co-starred with her father in Guns of the Timberland and Duel of Champions, is married to the veteran talk radio broadcaster Michael Jackson. Actor David Ladd, who co-starred with his father as a child in The Proud Rebel, was married to Charlie's Angels star Cheryl Ladd (née Stoppelmoor), 1973–80. Their daughter is actress Jordan Ladd.[29]
Death
On January 29, 1964, Ladd was found dead in his Palm Springs, California home.[30] His death was attributed to cerebral edema caused by an acute overdose of "alcohol and three other drugs"; his death was ruled accidental.[1] Ladd suffered from chronic insomnia and regularly used sleeping pills and alcohol. It was determined that he had not taken a lethal amount of either, but that the combination can produce a synergistic reaction in which one plus one equals ten or even fifty."[3] He was entombed in the Forest Lawn Memorial Park Cemetery in Glendale, California. Not until June 28, 1964 did Carpetbaggers producer Joseph E. Levine hold an elaborate premiere screening in New York City with an afterparty staged by his wife at The Four Seasons Restaurant.[31]
Ladd has a star on the Hollywood Walk of Fame at 1601 Vine Street.[32] His handprint appears in the forecourt of Grauman's Chinese Theater, in Hollywood. In 1995, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him.[33]
Select radio credits
Regular series
- Box 13: 52 episodes (22 August 1948 – 14 August 1949)
Filmography
Year | Title | Role | Notes |
---|---|---|---|
1932 | Tom Brown of Culver | Cadet | |
1932 | Once in a Lifetime | Projectionist | |
1933 | Saturday's Millions | Student | |
1936 | Pigskin Parade | Student | |
1937 | Last Train from Madrid !The Last Train from Madrid | Soldier | |
1937 | Souls at Sea | Sailor | |
1937 | All Over Town | Young Man | |
1937 | Hold 'Em Navy | Chief Quartermaster | |
1938 | Goldwyn Follies !The Goldwyn Follies | First Auditioning Singer | |
1938 | Come on, Leathernecks! | Club Waiter | |
1938 | Freshman Year | Student | |
1939 | Mysterious Miss X !The Mysterious Miss X | Henchman | |
1939 | Hitler, Beast of Berlin | Karl Bach | |
1939 | Rulers of the Sea | Colin Farrell | |
1940 | American Portrait | Young man/Old man | Short subject |
1940 | Blame It on Love | Short subject Uncredited | |
1940 | Meat and Romance | Bill Allen | Short subject |
1940 | Unfinished Rainbows | Charles Martin Hall | Short subject |
1940 | Green Hornet !The Green Hornet | Gilpin, Student Pilot | Chapter 3 |
1940 | Brother Rat and a Baby | Cadet in trouble | |
1940 | In Old Missouri | John Pittman, Jr. | |
1940 | Light of Western Stars !The Light of Western Stars | Danny, Stillwell Ranch Hand | |
1940 | Gangs of Chicago | ||
1940 | Cross-Country Romance | Mr. Williams, First Mate | |
1940 | Those Were the Days! | Keg Rearick | |
1940 | Captain Caution | Newton, Mutinous Sailor | |
1940 | Howards of Virginia !The Howards of Virginia | Backwoodsman | |
1940 | Meet the Missus | John Williams | |
1940 | Victory | Heyst as an 18-year-old | |
1940 | Her First Romance | John Gilman | |
1941 | I Look To You | Short subject | |
1941 | Petticoat Politics | Higgins Daughter's Boyfriend | |
1941 | Citizen Kane | Reporter smoking pipe at end | Uncredited |
1941 | Black Cat !The Black Cat | Richard Hartley | |
1941 | Paper Bullets | Jimmy Kelly aka Bill Dugan | |
1941 | Reluctant Dragon !The Reluctant Dragon | Al, Baby Weems storyboard artist | |
1941 | They Met in Bombay | British Soldier | |
1941 | Great Guns | Soldier in Photo Shop | |
1941 | Cadet Girl | Harry, Musician | |
1941 | Military Training | Lieutenant, Platoon Leader, County Fair | Short subject Uncredited |
1942 | Joan of Paris | "Baby" | |
1942 | This Gun for Hire | Philip Raven | |
1942 | Glass Key !The Glass Key | Ed Beaumont | |
1942 | Lucky Jordan | Lucky Jordan | |
1942 | Star Spangled Rhythm | Alan Ladd, Scarface Skit | |
1942 | Letter from a Friend | Short subject | |
1943 | China | David Jones | |
1943 | Screen Snapshots: Hollywood in Uniform | Himself | Short subject |
1944 | Skirmish on the Home Front | Harry W. Average | Short subject |
1944 | And Now Tomorrow | Doctor Merek Vance | |
1945 | Salty O'Rourke | Salty O'Rourke | |
1945 | Duffy's Tavern | Himself | |
1945 | Hollywood Victory Caravan | Alan Ladd | Short subject |
1946 | Two Years Before the Mast | Charles Stewart | |
1946 | Blue Dahlia !The Blue Dahlia | Johnny Morrison, Lt.Cmdr., ret. | |
1946 | O.S.S. | Philip Masson/John Martin | |
1946 | Screen Snapshots: The Skolsky Party | Himself | Short subject |
1947 | My Favorite Brunette | Sam McCloud | |
1947 | Calcutta | Neale Gordon | |
1947 | Variety Girl | Himself | |
1947 | Wild Harvest | Joe Madigan | |
1948 | Saigon | Maj. Larry Briggs | |
1948 | Beyond Glory | Capt. Rockwell "Rocky" Gilman | |
1948 | Whispering Smith | Whispering Smith | |
1949 | Eyes of Hollywood | Short subject | |
1949 | Great Gatsby !The Great Gatsby | Jay Gatsby | |
1949 | Chicago Deadline | Ed Adams | |
1950 | Captain Carey, U.S.A. | Captain Webster Carey | |
1950 | Branded | Choya | |
1951 | Appointment with Danger | Al Goddard | |
1951 | Red Mountain | Capt. Brett Sherwood | |
1952 | Iron Mistress !The Iron Mistress | Jim Bowie | |
1952 | Thunder in the East | Steve Gibbs | |
1952 | A Sporting Oasis | Himself | Short subject |
1953 | Botany Bay | Hugh Tallant | |
1953 | Desert Legion | Paul Lartal | |
1953 | Shane | Shane | |
1953 | Red Beret !The Red Beret | Steve "Canada" McKendrick | |
1954 | Hell Below Zero | Duncan Craig | |
1954 | Saskatchewan | Thomas O'Rourke | |
1954 | Black Knight !The Black Knight | John | |
1954 | Drum Beat | Johnny MacKay | Producer |
1955 | McConnell Story !The McConnell Story | Capt. Joseph C. "Mac" McConnell, Jr. | |
1955 | Hell on Frisco Bay | Steve Rollins | Producer |
1956 | Santiago | Caleb "Cash" Adams | Producer |
1956 | A Cry in the Night | Opening narrator | Producer |
1957 | Big Land !The Big Land | Chad Morgan | Producer |
1957 | Boy on a Dolphin | Dr. James Calder | |
1958 | Deep Six !The Deep Six | Alexander "Alec" Austen | Producer |
1958 | Proud Rebel !The Proud Rebel | John Chandler | |
1958 | Badlanders !The Badlanders | Peter Van Hoek ("The Dutchman") | |
1959 | Man in the Net !The Man in the Net | John Hamilton | Producer |
1959 | Island of Lost Women |
|
Executive producer |
1960 | Guns of the Timberland | Jim Hadley | Executive producer |
1960 | All the Young Men | Sgt. Kincaid | Executive producer |
1960 | One Foot in Hell | Mitch Garrett | |
1961 | Duel of Champions | Horatio | |
1962 | 13 West Street | Walt Sherill | Producer |
1964 | Carpetbaggers !The Carpetbaggers | Nevada Smith | Released posthumously |
Year | Title | Role | Notes |
---|---|---|---|
1953 | Better Living TV Theatre | Himself | September 6, 1953 episode |
1954 | Red Skelton Revue | Guest (Old West Sketch) | Episode 1.1 |
1954-1958 | General Electric Theater | Various roles | 3 episodes Executive producer (2 episodes) |
1955 | Kings Row | Himself | Episode: "Lady In Fear" |
1957-1958 | The Bob Cummings Show | Himself | 2 episodes |
1959 | Schlitz Playhouse of Stars |
|
Episode: "Ivy League" |
Box office ranking
For a number of years, film exhibitors voted him amongst the top stars at the box office.
Year | USA | Britain |
---|---|---|
1943 | 15th[34] | |
1945 | 15th[35] | |
1946 | 14th[36] | 8th[37] |
1947 | 10th | 7th[38] |
1950 | (did not make top 25) | 8th |
1949 | 17th[39] | 7th[40] |
1951 | 17th | 8th[41] |
1952 | 16th[42] | |
1953 | 4th[43] | 3rd |
1954 | 6th[44] | 1st[45] |
1955 | 17th | 5th[46] |
1956 | 25th |
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