Lolita (1962 film)

 

Lolita (1962 film)

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Lolita
Theatrical release poster
Directed by	Stanley Kubrick
Produced by	James B. Harris
Screenplay by	Vladimir Nabokov Stanley Kubrick (uncredited) James Harris (uncredited)
Based on	Lolita by Vladimir Nabokov
Starring	James Mason Shelley Winters Sue Lyon Peter Sellers
Music by	Nelson Riddle (incidental) Bob Harris (theme)
Cinematography	Oswald Morris
Editing by	Anthony Harvey
Studio	Seven Arts AA Productions Anya Pictures Transworld Pictures[1]
Distributed by	Metro Goldwyn Mayer (original) Turner Entertainment Co. (current)
Release date(s)	June 13, 1962 (1962-06-13)
Running time	152 minutes
Country	United Kingdom United States
Language	English
Budget	$2.1 million
Box office	$9,250,000

Lolita is a 1962 comedy-drama film by Stanley Kubrick based on the classic novel of the same title by Vladimir Nabokov, centres around a middle-aged man who becomes obsessed with a teenage girl. The film stars James Mason as Humbert Humbert, Sue Lyon as Dolores Haze (Lolita) and Shelley Winters as Charlotte Haze with Peter Sellers as Clare Quilty.

Due to the MPAA's restrictions at the time, the film toned down the more provocative aspects of the novel, sometimes leaving much to the audience's imagination. The actress who played Lolita, Sue Lyon, was fourteen at the time of filming. Kubrick later commented that, had he realized how severe the censorship limitations were going to be, he probably never would have made the film.

 

Plot

 

Set in the 1950s, the film begins in medias res with a confrontation between two men: one of them, Clare Quilty, drunk and incoherent, plays Chopin's Polonaises Op. 40 on the piano before being shot. The shooter is Humbert Humbert, a 40-something British professor of French literature.

The film then flashes back to events four years earlier. Humbert arrives in Ramsdale, New Hampshire, intending to spend the summer before his professorship begins at Beardsley College, Ohio. He searches for a room to let, and Charlotte Haze, a blowsy, sexually frustrated widow, invites him to stay at her house. He declines until seeing her daughter, Dolores, affectionately called "Lolita". Lolita is a soda-pop drinking, gum-snapping, overtly flirtatious teenager, with whom Humbert falls in love.

To be close to Lolita, Humbert accepts Charlotte's offer and becomes a lodger in the Haze household. But Charlotte wants all of "Hum's" time for herself and soon announces she will be sending Lolita to an all-girl sleepaway camp for the summer. After the Hazes depart for camp, the maid gives Humbert a letter from Charlotte, confessing her love for him and demanding he vacate at once unless he feels the same way. The letter says that if Humbert is still in the house when she returns, Charlotte will know her love is requited, and he must marry her. Though he roars with laughter while reading the sadly heartfelt yet characteristically overblown letter, Humbert marries Charlotte.

Things turn sour for the couple in the absence of the nymphet: glum Humbert becomes more withdrawn, and brassy Charlotte more whiny. Charlotte discovers Humbert’s diary entries detailing his passion for Lolita and characterizing her as "the Haze woman, the cow, the obnoxious mama, the brainless baba". She has an hysterical outburst and, while Humbert hurriedly fixes martinis in the kitchen to smooth over the situation, she runs outside, is hit by a car and dies.

Humbert drives to Camp Climax to pick up Lolita, who doesn't yet know her mother is dead. They stay the night in a hotel that is handling an overflow influx of police officers attending a convention. one of the guests, a pushy, abrasive stranger, insinuates himself upon Humbert and keeps steering the conversation to his "beautiful little daughter," who is asleep upstairs. The stranger implies that he too is a policeman and repeats, too often, that he thinks Humbert is "normal." Humbert escapes the man's advances, and, the next morning, Humbert and Lolita enter into a sexual relationship. The two commence an odyssey across the United States, traveling from hotel to motel. In public, they act as father and daughter. After several days, Humbert tells Lolita that her mother is not sick in a hospital, as he had previously told her, but dead. Grief-stricken, she stays with Humbert.

In the fall, Humbert reports to his position at Beardsley College, and enrolls Lolita in high school there. Before long, people begin to wonder about the relationship between father and his over-protected daughter. Humbert worries about her involvement with the school play and with male classmates. one night he returns home to find Dr. Zempf, a pushy, abrasive stranger, sitting in his darkened living room. Zempf, speaking with a thick German accent, claims to be from Lolita's school and wants to discuss her knowledge of "the facts of life." Humbert is frightened and decides to take Lolita on the road again. He soon realizes they are being followed by a mysterious car that never drops away but never quite catches up. When Lolita becomes sick, he takes her to the hospital. However, when he returns to pick her up, she is gone. The nurse there tells him she left with another man claiming to be her uncle and Humbert, devastated, is left without a single clue as to her disappearance or whereabouts.

Some years later, Humbert receives a letter from Mrs. Richard T. Schiller, Lolita's married name. She writes that she is now married to a man named Dick, and that she is pregnant and in desperate need of money. Humbert travels to their home, where Lolita waits. Humbert finds that she is now a roundly, expectant woman in glasses leading a pleasant, humdrum life. Humbert demands that she tell him who kidnapped her three years earlier. She tells him it was Clare Quilty, the man that was following them, who is a famous playwright and with whom her mother had a fling in Ramsdale days. She states Quilty is also the one who disguised himself as Dr. Zempf, the pushy stranger who kept crossing their path. Lolita herself carried on an affair with him and left with him when he promised her glamor. However, he then demanded she join his depraved lifestyle, including acting in his "art" films.

Humbert begs Lolita to leave her husband and come away with him, but she declines. Humbert gives Lolita $13,000, explaining that it's hers from the sale of her mother's house, and leaves to shoot Quilty in his mansion, where the film began. The epilogue explains that Humbert died of coronary thrombosis awaiting trial for Quilty's murder.