George M. Cohan
| George M. Cohan | |
|---|---|
 Cohan in 1908 | |
| Born | George Michael Cohan July 3, 1878 Providence, Rhode Island, U.S. |
| Died | November 5, 1942 (aged 64) New York, New York, U.S. |
| Occupation | Entertainer, playwright, composer, lyricist, actor, singer, dancer, producer |
| Religion | Roman Catholicism |
| Spouse(s) | Ethel Levey (m. 1899 – 1907; divorced) Agnes Mary Nolan (m. 1907 – 1942; his death) |
| Children | Georgette Cohan Mary Cohan Helen Cohan George M Cohan, Jr. |
George Michael Cohan (July 3, 1878[1] – November 5, 1942), known professionally as George M. Cohan, was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and producer.
Cohan began his career as a child, performing with his parents and sister in a vaudeville act known as "The Four Cohans." Beginning with Little Johnny Jones in 1904, he wrote, composed, produced, and appeared in more than three dozen Broadway musicals. Cohan published more than 300 songs during his lifetime, including the standards "Over There", "Give My Regards to Broadway", "The Yankee Doodle Boy" and "You're a Grand Old Flag".[2] As a composer, he was one of the early members of the American Society of Composers, Authors, and Publishers (ASCAP). He displayed remarkable theatrical longevity, appearing in films until the 1930s, and continuing to perform as a headline artist until 1940.
Known in the decade before World War I as "the man who owned Broadway", he is considered the father of American musical comedy.[2] His life and music were depicted in the Academy Award-winning film Yankee Doodle Dandy (1942) and the 1968 musical George M!. A statue of Cohan in Times Square in New York City commemorates his contributions to American musical theatre.
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[hide]Early life and education[edit]
Cohan was born in 1878 in Providence, Rhode Island, to Irish Catholic parents. A baptismal certificate from St. Joseph's Roman Catholic Church (which gave the wrong first name for his mother) indicated that he was born on July 3, but Cohan and his family always insisted that George had been "born on the Fourth of July!"[1][3] George's parents were traveling vaudeville performers, and he joined them on stage while still an infant, first as a prop, learning to dance and sing soon after he could walk and talk.[citation needed]
Cohan started as a child performer at age 8, first on the violin and then as a dancer.[4] He was the fourth member of the family vaudeville act called The Four Cohans, which included his father Jeremiah "Jere" (Keohane) Cohan (1848–1917),[5] mother Helen "Nellie" Costigan Cohan (1854–1928) and sister Josephine "Josie" Cohan Niblo (1876–1916).[1] In 1890, he toured as the star of a show called Peck's Bad Boy[4] and then joined the family act; The Four Cohans mostly toured together from 1890 to 1901. He and his sister made their Broadway debut in 1893 in a sketch called The Lively Bootblack. Temperamental in his early years, Cohan later learned to control his frustrations. During these years, Cohan originated his famous curtain speech: "My mother thanks you, my father thanks you, my sister thanks you, and I thank you."[4]
As a child, Cohan and his family toured most of the year and spent summer vacations from the vaudeville circuit at his grandmother's home in North Brookfield, Massachusetts, where Cohan befriended baseball player Connie Mack.[6] The family generally gave a performance at the town hall there each summer, and Cohan had a chance to gain some more normal childhood experiences, like riding his bike and playing sandlot baseball. Cohan's memories of those happy summers inspired his 1907 musical 50 Miles from Boston, which is set in North Brookfield and contains one of his most famous songs, “Harrigan". As Cohan matured through his teens, he used the quiet summers there to write. When he returned to the town in the cast of Ah, Wilderness! in 1934, he told a reporter, "I've knocked around everywhere, but there's no place like North Brookfield."[7]
Career[edit]
Early career[edit]
Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens.[4] Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, "The Governor's Son", for The Four Cohans.[4] His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy."[8]
Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs[2] noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business If You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There",[4] which was recorded by Enrico Caruso among others.[9] The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played.[10]
From 1904 to 1920, Cohan created and produced over fifty musicals, plays and revues on Broadway together with his friend Sam Harris,[4][11] including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year.[12] His shows ran simultaneously in as many as five theatres. one of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit.[13] Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio.[14] He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association, described below.[4]
In 1925, he published his autobiography, Twenty Years on Broadway and the Years It Took To Get There.[15]
Later career[edit]
Cohan appeared in 1930 in a revival of his tribute to vaudeville and his father, The Song and Dance Man.[4] In 1932, Cohan starred in a dual role as a cold, corrupt politician and his charming, idealistic campaign double in the Hollywood musical film The Phantom President. The film co-starred Claudette Colbert and Jimmy Durante, with songs by Rodgers and Hart, and was released by Paramount Pictures. He appeared in some earlier silent films but he disliked Hollywood production methods and only made one other sound film, Gambling (1934), based on his own 1929 play and shot in New York City. A critic called Gambling a "stodgy adaptation of a definitely dated play directed in obsolete theatrical technique."[16] It is considered a lost film.[17]
Cohan earned acclaim as a serious actor in Eugene O'Neill's only comedy, Ah, Wilderness! (1933), and in the role of a song-and-dance President Franklin D. Roosevelt in Rodgers and Hart's musical I'd Rather Be Right (1937). The same year, he reunited with Harris to produce a play called Fulton of Oak Falls, starring Cohan. His final play, The Return of the Vagabond (1940), featured a young Celeste Holm in the cast.[18]
In 1940, Judy Garland played the title role in a film version of his 1922 musical Little Nellie Kelly. Cohan's mystery play Seven Keys to Baldpate was first filmed in 1916 and has been remade seven times, most recently as House of Long Shadows (1983), starring Vincent Price. In 1942, a musical biopic of Cohan, Yankee Doodle Dandy, was released, and James Cagney's performance in the title role earned the Best Actor Academy Award. The film was privately screened for Cohan as he battled the last stages of abdominal cancer; Cohan’s comment on Cagney’s performance was, "My God, what an act to follow!"[19] Cohan's 1920 play The Meanest Man in the World was filmed with Jack Benny in 1943.[citation needed]
Legacy[edit]
Although Cohan is mostly remembered for his songs, he became an early pioneer in the development of the "book musical", using his engaging libretti to bridge the gaps between drama and music. More than three decades before Agnes de Mille choreographed Oklahoma!, Cohan used dance not merely as razzle-dazzle, but to advance the plot. Cohan's main characters were "average Joes and Janes" that appealed to a wide American audience.[20]
In 1914, Cohan became one of the founding members of ASCAP.[21] Although Cohan was known as extremely generous to his fellow actors in need,[4] in 1919, he unsuccessfully opposed a historic strike by Actors' Equity Association, for which many in the theatrical professions never forgave him. Cohan opposed the strike because in addition to being an actor in his productions, he was also the producer of the musical that set the terms and conditions of the actors' employment. During the strike, he donated $100,000 to finance the Actors' Retirement Fund in Englewood Cliffs, New Jersey. After Actors' Equity was recognized, Cohan refused to join the union as an actor, which hampered his ability to appear in his own productions. Cohan sought a waiver from Equity allowing him to act in any theatrical production. In 1930, Cohan won a law case against the Internal Revenue Service that allowed the deduction, for federal income tax purposes, of his business travel and entertainment expenses, even though he was not able to document them with certainty. This became known as the "Cohan rule" and is frequently cited in tax cases.[22]
Cohan wrote numerous Broadway musicals and straight plays in addition to contributing material to shows written by others—more than 50 in all.[4] Cohan shows included Little Johnny Jones (1904), Forty-five Minutes from Broadway (1905), George Washington, Jr. (1906), The Talk of New York and The Honeymooners (1907), Fifty Miles from Boston and The Yankee Prince (1908), Broadway Jones (1912), Seven Keys to Baldpate (1913), The American Idea, Get Rich Quick Wallingford, The Man Who Owns Broadway, Little Nellie Kelly, The Cohan Revue of 1916 (and 1918; co-written with Irving Berlin), The Tavern (1920), The Rise of Rosie O'Reilly (1923, featuring a 13-year-old Ruby Keeler among the chorus girls), The Song and Dance Man (1923), Molly Malone, The Miracle Man, Hello Broadway, American Born (1925), The Baby Cyclone (1927, one of Spencer Tracy's early breaks), Elmer the Great (1928, co-written with Ring Lardner), and Pigeons and People (1933).[4] At this point in his life, he walked in and out of retirement.[21]
Cohan was called "the greatest single figure the American theatre ever produced – as a player, playwright, actor, composer and producer."[4] on June 29, 1936, President Franklin Delano Roosevelt presented him with the Congressional Gold Medal for his contributions to World War I morale, in particular the songs "You're a Grand Old Flag" and "Over There."[21] Cohan was the first person in any artistic field selected for this honor, which previously had gone only to military and political leaders, philanthropists, scientists, inventors, and explorers.
In 1959, at the behest of lyricist Oscar Hammerstein II, a $100,000 bronze statue of Cohan was dedicated in Times Square at Broadway and 46th Street in Manhattan. The 8-foot bronze remains the only statue of an actor on Broadway.[23] He was inducted into the Songwriters Hall of Fame in 1970,[21] and into the American Folklore Hall of Fame in 2003.[citation needed] His star on the Hollywood Walk of Fame is located at 6734 Hollywood Boulevard.[24] Cohan was inducted into the Long Island Music Hall of Fame on October 15, 2006.[25]
The United States Postal Service issued a 15-cent commemorative stamp honoring Cohan on the anniversary of his centenary, July 3, 1978. The stamp depicts both the older Cohan and his younger self as a dancer, along with the tag line "Yankee Doodle Dandy." It was designed by Jim Sharpe.[26] on July 3, 2009, a bronze bust of Cohan, by artist Robert Shure, was unveiled at the corner of Wickenden and Governor Streets in Fox Point, Providence, a few blocks from his birthplace. The city renamed the corner the George M. Cohan Plaza and announced an annual George M. Cohan Award for Excellence in Art & Culture. The first award went to Curt Columbus, the artistic director of Trinity Repertory Company.[27]
Personal life and death[edit]
From 1899 to 1907, Cohan was married to Ethel Levey (1881–1955; born Grace Ethelia Fowler[28]), a musical comedy actress and dancer. Levey and Cohan had a daughter, actress Georgette Cohan Souther Rowse (1900–1988).[29] Levey joined the Four Cohans when Josie married, and she starred in Little Johnny Jones and other Cohan works. In 1907, Levey divorced Cohan on grounds of adultery.[30]
In 1908 Cohan married Agnes Mary Nolan (1883–1972), who had been a dancer in his early shows; they remained married until his death. They had two daughters and a son. The eldest was Mary Cohan Ronkin, a cabaret singer in the 1930s, who composed incidental music for her father's play The Tavern. In 1968, Mary supervised musical and lyric revisions for the musical George M!.[31][32] Their second daughter was Helen Cohan Carola, a film actress, who performed on Broadway with her father in Friendship in 1931.[33][34] Their youngest child was George Michael Cohan, Jr. (1914–2000), who graduated from Georgetown University and served in the entertainment corps during World War II. In the 1950s, George Jr. reinterpreted his father's songs on recordings, in a nightclub act, and in television appearances on the Ed Sullivan and Milton Berle shows. George Jr.'s only child, Michaela Marie Cohan (1943–1999), was the last descendant named Cohan. She graduated with a theater degree from Marywood College, Scranton, Pennsylvania, in 1965. From 1966 to 1968, she served in a civilian Special Services unit in Vietnam and Korea.[35] In 1996, she stood in for her ailing father at the ceremony marking her grandfather's induction into the Musical Theatre Hall of Fame at New York University.[4]
Cohan was a devoted baseball fan, regularly attending games of the former New York Giants.[4]
He died of cancer at the age of 64 on November 5, 1942, at his Manhattan apartment on Fifth Avenue, surrounded by family and friends. He received his last rites from Mgr. John J. Casey, representing Archbishop Francis Spellman, and Rev. Francis X. Shea, vicar of the Archdiocese of New York.[4] His funeral was held at St. Patrick's Cathedral, New York and was attended by thousands of people, including five governors of New York, two mayors of New York City and the Postmaster General. The honorary pallbearers included Irving Berlin, Eddie Cantor, Frank Crowninshield, Sol Bloom, Brooks Atkinson, Rube Goldberg, Walter Huston, George Jessel, Connie Mack, Joseph McCarthy, Eugene O’Neill, Sigmund Romberg, Lee Shubert and Fred Waring.[36] Cohan was interred at Woodlawn Cemetery in The Bronx, New York City, in a private family mausoleum he had erected a quarter century earlier for his sister and parents.[4]
In popular culture[edit]
- As noted above, James Cagney played Cohan in the 1942 biopic Yankee Doodle Dandy. Cagney played Cohan once more in the 1955 film The Seven Little Foys, starring Bob Hope as the vaudevillian Eddie Foy. Cagney performed this role free of charge as an ｅxpression of his gratitude to Eddie Foy Sr., who had done Cagney a favor during Cagney's early vaudeville days.
- Mickey Rooney played Cohan in Mr. Broadway, a television special broadcast on NBC on May 11, 1957. The same month, Rooney released a 78 RPM record: The A-side featured Rooney singing Cohan's best-known songs, and the B-side featured Rooney singing several of his own compositions, such as the maudlin "You Couldn't Count the Raindrops for the Tears."
- Joel Grey starred on Broadway as Cohan in the musical George M! (1968), which was adapted into a NBC television special in 1970.
- Allan Sherman sang a parody-medley of three Cohan tunes on an early album: "Barry (That'll Be the Baby's Name)"; "H-o-r-o-w-i-t-z"; and "Get on the Garden Freeway" to the tune of "Mary's a Grand Old Name", "Harrigan" and "Give My Regards to Broadway", respectively.
- Chip Deffaa created a one-man show about the life of Cohan called George M. Cohan Tonight!, which first ran Off-Broadway at the Irish Repertory Theatre in 2006 with Jon Peterson as Cohan.[37] Deffaa has written and directed five other plays about Cohan.[38]
Filmography[edit]
Cohan acted in the following films:
- Broadway Jones (1917)
- Seven Keys to Baldpate (1917)
- Hit-The-Trail Holliday (1918)
- The Phantom President (1932)
- Gambling (1934)
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