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Odds Against Tomorrow

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Odds Against Tomorrow

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Odds Against Tomorrow
Odds Against Tomorrow(1959 film) poster.jpg
Theatrical release poster
Directed byRobert Wise
Produced byRobert Wise
Screenplay byAbraham Polonsky
Nelson Gidding
Based onon the novel Odds Against Tomorrow 
by William P. McGivern
StarringHarry Belafonte
Robert Ryan
Ed Begley
Gloria Grahame
Shelley Winters
Music byJohn Lewis
CinematographyJoseph C. Brun
Edited byDede Allen
Production
company
Distributed byUnited Artists (1959, original) MGM (2003, DVD)
Release dates
  • October 15, 1959 (1959-10-15) (United States)
Running time
95 minutes[1]
CountryUnited States
LanguageEnglish

Odds Against Tomorrow is a 1959 film noir produced and directed by Robert Wise for HarBel Productions,[2] a company founded by the film's star, Harry Belafonte. Belafonte selected Abraham Polonsky to write the script, which is based on a novel by William P. McGivern. As a blacklisted writer Polonsky used a front, John O. Killens, a black novelist and friend of Belafonte's. In 1996, the Writers Guild of America restored Polonsky's credit under his real name.[3]

Odds Against Tomorrow is the first noir with a black protagonist.[4] It was the last time Wise shot black-and-white film in the standard aspect ratio, which "gave his films the gritty realism they were known for".[1]



Plot[edit]

David Burke (Ed Begley) is a former policeman who was ruined when he refused to cooperate with state crime investigators. He has asked hard-bitten, racist, ex-con Earl Slater (Robert Ryan) to help him rob an upstate bank, promising him $50,000 if the robbery is successful. Burke also recruits Johnny Ingram (Belafonte), a nightclub entertainer who doesn’t want the job but who is addicted to gambling and is in debt.

Slater, who is supported by his girlfriend, Lorry (Shelley Winters), finds out Ingram is black and refuses the job. Later, he realizes that he needs the money, and joins Ingram and Burke in the enterprise.

Tensions between Ingram and Slater increase as they near completion of the crime. Burke is seen by a police officer leaving the scene of the raid, and is mortally wounded in the ensuing shootout with local police, so he commits suicide by shooting himself. Slater is insensitive and cavalier about the death of Burke which incenses Ingram. Slater and Ingram begin to fight each other as they try to evade capture by the police. Ingram and Slater escape and run into a nearby fuel storage depot. They chase after each other on the top of the fuel tanks. They exchange gunfire and ignite the fuel tanks and cause a large explosion. Afterwards, their corpses are indistinguishable from one another. The last scene focuses on a sign at the entrance of the fuel storage depot saying, "Stop, Dead End".

Cast[edit]

Production[edit]

Principal photography began in March 1959.[5] All outdoor scenes were shot in New York City and Hudson, New York.[2] According to director Robert Wise:[6]

"I did something in Odds Against Tomorrow I'd been wanting to do in some pictures but hadn't had the chance. I wanted a certain kind of mood in some sequences, such as the opening when Robert Ryan is walking down West Side Street...I used infra-red film. You have to be very careful with that because it turns green things white, and you can't get too close on people's faces. It does distort them but gives that wonderful quality—black skies with white clouds—and it changes the feeling and look of the scenes."

Musical score and soundtrack[edit]

Odds Against Tomorrow
Odds Against Tomorrow (Soundtrack).jpg
Soundtrack album by John Lewis
Released1959
RecordedJuly 16, 17 & 20, 1959 in NYC
GenreFilm score
Length43:11
LabelUnited Artists
UAL 4061
John Lewis chronology
Improvised Meditations and Excursions
(1959)		Odds Against Tomorrow
(1959)		The Golden Striker
(1960)
Professional ratings
Review scores
SourceRating
Allmusic4.5/5 stars[7]

The film score was composed, arranged and conducted by John Lewis of the Modern Jazz Quartet and the soundtrack album was released on the United Artists label in 1959.[8] To realise his score Lewis assembled a 22 piece orchestra that included MJQ bandmates Milt Jackson on vibraphone, Percy Heath on bass and Connie Kay on drums, as well as Bill Evans on piano, and Jim Hall on guitar.[1][9][10] Allmusic's Bruce Eder noted, "This superb jazz score by John Lewis was later turned into a hit by The Modern Jazz Quartet. It's dark and dynamic, and a classic".[7] The Modern Jazz Quartet's album of Lewis' themes; Music from Odds Against Tomorrow was recorded in October 1959 and one of the tracks "Skating in Central Park", became a permanent part of the MJQ's repertoire.[11] It was also reused for a similar scene in the 1971 film Little Murders.

Track listing[edit]

All compositions by John Lewis

  1. "Prelude to Odds Against Tomorrow" - 1:44
  2. "A Cold Wind Is Blowing" - 1:20
  3. "Five Figure People Crossing Paths" - 1:40
  4. "How to Frame Pigeons" - 1:04
  5. "Morning Trip to Melton" - 3:09
  6. "Looking at the Caper" - 2:01
  7. "Johnny Ingram's Possessions" - 1:08
  8. "The Carousel Incident" - 1:44
  9. "Skating in Central Park" - 3:29
  10. "No Happiness for Slater" - 3:56
  11. "Main Theme: Odds Against Tomorrow" - 3:24
  12. "Games" - 2:17
  13. "Social Call" - 3:53
  14. "The Impractical Man - 3:00
  15. Advance on Melton"- 1:58
  16. "Waiting Around the River" - 3:51
  17. "Distractions" - 1:25
  18. "The Caper Failure" - 1:23
  19. "Postlude" - 0:45

Personnel[edit]

Reception[edit]

Critical response[edit]

Bosley Crowther called Wise's direction "tight and strong" and the film a "sharp, hard, suspenseful melodrama" with a "sheer dramatic build-up ... of an artistic caliber that is rarely achieved on the screen."[2]

Time magazine wrote: "The tension builds well to the climax—thanks partly to Director Robert Wise (I Want to Live!), partly to an able Negro scriptwriter named John O. Killens, but mostly to Actor Ryan, a menace who can look bullets and smile sulphuric acid. But the tension is released too soon—and much too trickily. The spectator is left with a feeling that is aptly expressed in the final frame of the film, when the camera focuses on a street sign that reads: STOP—DEAD END."[12]

Variety magazine said: on one level, Odds against Tomorrow is a taut crime melodrama. on another, it is an allegory about racism, greed and man's propensity for self-destruction. Not altogether successful in the second category, it still succeeds on its first."[13]

Forty years after its release, Stephen Holden called the film "sadly overlooked".[4]

Awards[edit]

The film was nominated for a Golden Globe Award for Motion Picture Promoting International Understanding, losing at the 17th Golden Globe Awards to The Diary Of Anne Frank.

Books[edit]

A screenplay book, Odds Against Tomorrow: A Critical Edition (ISBN 0963582348), was published in 1999 by The Center for Telecommunication Studies, a university press sponsored by the Radio-TV-Film Department at California State University, Northridge (CSUN).[14] The book includes the film's complete script (which "blends" the shooting script and the continuity script), and critical analysis, written by CSUN professor John Schultheiss, based on interviews with Wise, Belafonte and Polonsky.

DVD[edit]

Odds Against Tomorrow was released to DVD by MGM Home Video on December 2, 2003 as a Region 1 non-widescreen DVD.

See also[edit]

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